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Can't vouch for it's accuracy. On the downside, f/2.8 doesn’t really give you much subject separation unless you shoot it at around 70mm. If it ain’t broke, don’t fix it. The maximum f/2.8 aperture also produces great bokeh, on the cheap! However, the impressive Canon EF-S 10-18mm f/4.5-5.6 IS STM manages to achieve just this. Despite its small size, the Canon EF 40mm f/2.8 STM still manages to pack in 7 diaphragm blades, which result in surpisingly smooth and creamy bokeh. Just because the Canon EF 85mm f/1.8 USM doesn’t have that elusive red ring of the L series Canon lenses, doesn’t mean it can’t trade punches with the big boys. Being able to take advantage of the width of 35mm whilst still being able to knock the background into creamy out-of-focus really is useful. Leave a comment below if you use any of the lenses I mentioned, or if you think I missed any other good ones. Image Connect Photographer Matching Service, Monochrome Continuous Feed Digital Presses, Corporate Social Responsibility Guidelines, Environment & Sustainability Initiatives Home. Lenses for Canon EF Mount MOUNT Any Canon EF Canon M Canon RF Four-Thirds Fujifilm G Fujifilm X Hasselblad XCD Leica L Leica S Micro Four-Thirds Nikon F Nikon 1 Nikon Z Pentax K Pentax Q Pentax 645 Sigma S Sony A Sony E BRAND Any Canon … It’s rare to find an ultra-wide angle lens for cropped sensor cameras, since the nature of APS-C is to lengthen focal distances. For around a hundred bucks, you’re getting a lens that works perfectly with every Canon EOS camera ever made, i.e. The build is great quality, it offers a versatile focal length and the images it produces are razor sharp. Add these two elements together, and shooting a subject a few feet in front of a background at f/1.4 delivers an almost 3D effect – the subject is pin sharp, whilst the background is a sea of beautifully blurred colours. It’s not quite as sharp as the 70-200mm f/2.8L, but it’s better value, lighter and offers a much more flexible zoom range. There is a slight hum when focusing during the video, but for me, it was pretty hard to hear. The use of an EF-EOS R mount adaptor also enables you to connect your EF lens to your EOS R system camera. 8-15mm. Auto focus is lightning fast and accurate, and ergonomically this lens feels great attached to even the biggest Canon dSLRs. It offers a hugely versatile focal range at a manageable weight, for an affordable price – especially when it is the only lens some people will ever need. IS is also beneficial when you shoot at longer focal lengths since camera shake is more pronounced. Sure, the f/1.2 can reduce any background to cream, but when shot at f/1.8, only a pixel peeper could tell the difference. EF 8-15mm f-4L Fisheye … By using the IS, you can expect sharp shots even as slow as 1/2 second… which is frankly ridiculous. In the list below you can find all existing autofocus RF mount lenses. Sigma has tried to fill the gap, but it falls short of this Canon version. For this bargain price, there simply isn’t a lighter, smaller and sharper Canon lens in existence. It offers a hugely versatile focal range at a manageable weight, for an affordable price – especially when you consider it as the only lens some people will ever need. Landscape photographers who are used to big and bulky lenses will rejoice in having this lens permanently attached to their cameras. Is f/2.8 fast enough for professional use? (74mm) x 2.83 in. One con to this lens – at least if you’re into astrophotography – is that there aren’t any distance indicators for focusing. These days, modern dSLR camera bodies can all deliver excellent results, no matter the sensor size or price point. At less than $300, the Canon EF-S 10-18mm f/4.5-5.6 IS STM delivers enormous bang for the buck. No more pussy-footing around with old lenses or first versions – the Canon EF 24-70mm f/2.8 L II is quite simply the top all-round Canon zoom lens money can buy. 24-105mm is another focal range that Nikon doesn’t offer. The IS allows for an extra 4 stops, meaning the Canon EF-S 10-18mm f/4.5-5.6 IS STM can be shot handheld even at 1/4 or 1/2 a second. ), the IS on the Canon EF 16-35mm f/4L IS USM works great. What’s the difference between EF and EFS Canon lenses? It truly is remarkable that a lens that’s over 19 years old can out-perform much more recent ones. Equivalent to 38mm on a full frame camera, it’s the perfect everyday walk around lens, or great for travel due to its compactness. If you’re shooting full frame, the Canon 24-70mm f/2.8 II is the cream of the crop, and arguably the only zoom lens you’ll ever need. Own the Canon EOS R? (68 mm) x 0.9 in. The build is great quality, it offers a versatile focal length and the images it produces are razor sharp. The AF is fast and accurate, even at f/2.8. The image quality is quite fantastic for a $150 lens. The "I", "II", "III" Roman numeral suffix after the focal length(s) indicates the generation number. Let’s face it, no one buys an f/2.8 lens to shoot at anything but wide open. At this price point, it’s also a perfect backup lens for anyone using Canon to shoot professionally. There’s no cheaper way to get a nicely blurred background with sharp foreground than the dinky little Canon 50mm f/1.8 lens. Don’t even worry about that. It has excellent corner-to-corner sharpness (especially when stopped up just a bit to f/4), minimal chromatic aberration, and while there is some vignetting, it doesn’t really get in the way. Lenses really are cheaper on the Canon side of the fence, and the Canon EF 85mm f/1.8 USM performs like a lens 3x the price. However, this guide is to recommend lenses that offer bang for your buck i.e. ","acceptedAnswer":{"@type":"Answer","text":"For the best all-purpose zoom that will serve you in the greatest number of situations, we'd recommend the Canon EF 24-105mm f/4 II. Well if you’re a professional who needs lenses to work in near pitch black situations, f/4 just ain’t gonna cut it, even with that excellent image stabilization. From 24-70mm, you won’t be missing any of the action, and when you have a chance to use 70mm, you can still benefit from bokeh to make your subject stand out from the background. SLOW. In the EF-S mount, Canon’s most popular pancake is the 24mm f/2.8. Great value for money lens if you’re an automobile, architecture, landscape or any other genre of photographer who needs the widest of sensible wide-angles. If you’re a pixel peeper, you’ll note that the 8 diaphragm blades produce a beautiful circular bokeh, especially at f/2. What we don’t:A bit on the bulky side. Damn you, Canon! It’s without a doubt one of the top Canon lenses for landscape photography, and any genre of the art that encourages you to fit as much as possible within the frame. It’s small and super lightweight, especially for a zoom, and is a joy to shoot with. f/1.8 allows enough light into the camera for low light photography, and if you’ve got a Canon dSLR with high ISO capabilities (such as the Canon 5D Mark IV, reviewed here), f/1.8 will be more than enough for most situations. However, what I will say is that if you’re lucky, you can still get a new or used Canon 35mm f/1.4 L for a bargain price. It may sound obvious but 40mm is perfect if you find 50mm too long and 35mm too wide. (For this reason it’s one of these top lenses we recommend for the crop sensor Canon 80D.). Yes there’s an f/4 version which is a lot cheaper, but you won’t get much subject separation at the wider ends of the zoom range with this maximum aperture… at least, not like you can with f/2.8. For just under $350, you’re getting a ridiculously good portrait lens with un-rivalled sharpness. If you want to see more examples of images shot with the Canon EF 135mm f/2L USM, just filter by the lens in the drop down menu over on the right. 12.8-24mm. Optically, the Canon EF 135mm f/2L USM is very impressive. It really isn’t an issue for anyone who edits their photos. If you’ve got around $2k to spend on lenses, I’d recommend this one every time. There are cheap Canon lenses, and these are ones that are cheap and awesome too! What’s most impressive about the Canon 35mm f/1.4 L for a Nikon shooter like me (aside from its price! Another bonus is that being a USM lens, you can grab the focus ring of the Canon 35mm f/1.4 L and adjust it manually to override the auto-focus. If I could get physically close enough to my subjects for the entire day, I’d use it for 100% of it. What’s the best Canon lens for portrait photography? Before you get too bogged down in the Canon lens reviews, it’s important to understand what all the letters in the lens name mean. 1.4x increase of the lens's focal length Dustproof and waterproof specifications (JIS 2 equivalent) Lens placement and coatings are optimized to minimize the ghosting However, if your subject is stationary (hello architecture and landscape photographers! On the crop sensor EF-S bodies, you can’t go wrong with the Sigma 30mm f/1.4 – it’s great value for money, and offers the same image and build quality as Canon lenses twice the price. This is obviously apparent if you consider the difference in price between APS-C and full frame Canon bodies in general, but the lower prices of the lenses is another huge benefit. (You’ll need Movie Servo for the AF.). There are a lots of sites which discuss why this 1998 lens is actually better than the 2015 one, so I won’t go into it here. The 50mm f/1.8 works fine on an EF-S body, but remember that the focal lens becomes 80mm – a little less versatile than 50mm, but still great as a portrait lens. This is a gem of a lens and makes me envious that there’s no Nikon equivalent. The 24-70mm focal range is extremely popular with professional wedding and event photographers who need to quickly move from wide groups to close up detail, all in one twist of a lens barrel. When compared to 85mm, 135mm gives the photographer just enough physical distance from the subject to largely remain unnoticed. First big reason – the price. f/2 at 135mm gives incredible subject separation, and as long as you have the space between you and the subject, 135mm makes for a very flattering lens for photographing people. Wikimedia Commons has media related to Canon EF lenses. Usually this means dubious build quality and shorter lifespans, but that’s not the case with the Canon EF-S 10-18mm f/4.5-5.6 IS STM – it’s all plastic, but it still manages to feel great quality, perhaps due to the large rubber focus ring that takes up the majority of the lens barrel. OK, with that out of the way, what makes the Canon EF 50mm f/1.8 STM worthy of a spot here? The colors are vivid, the contrast is excellent, and the bokeh nicely blurred. Aside from DxO Mark naming the VII the sharpest Canon lens, and the marginal advantage when shot at f/1.4, I’d still recommend you save some money and go with the original version. (88 mm) x 4.4 in. (82 mm) x 4.4 in. Don’t get sidetracked by the exotic f/2.8 lenses in this focal range – most photographers don’t need them. Canon EF 70-200mm f/4L IS II USM. (112 mm), Dimensions (Diameter x Length): 2.95 in. The first version of this hugely popular lens was good, but this second iteration is way better. Why does it have over 600 positive reviews on Amazon, and why is it Canon’s number one best selling lens? So choose from one of the Canon lenses above and make an investment into your photography. For the best all-purpose zoom that will serve you in the greatest number of situations, we’d recommend the EF 24-105mm f/4 II. f/1.2 can be useful, but for the majority of applications, the depth of field is just too shallow. Start Exploring! This in turn means you can use much lower ISOs to get the shot, meaning much cleaner images. ","acceptedAnswer":{"@type":"Answer","text":"Canon EF-S lenses can only be used on Canon APS-C DSLRs. Check your order, save products & fast registration all with a Canon Account. There’s an f/4 version too, but the Canon EF 24-70mm f/2.8 L II is much better. I’d go as far as to say that the f/2.8 III is the best Canon wide angle lens for weddings. It’s razor-sharp in fact throughout the entire image at every setting. 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